![]() ![]() G9 can also be played without the 3rd as 3X323X. None of the shapes are all that pleasing: the first include a stretch and the second creates a somewhat bassy sound. These shapes are using the 6th string for the bass and root note. To become more flexible, you should learn a shape with its base tone on another strings. In blues, a popular rootless inversion is by using the same shape as in the m7b5 chord, for example, A9/C# as X4545X. This turns the chord into a voicing without the root note and, for example, C9 will be played XX2333 and F9 will be played as XX7888. ![]() The 9th chords are most often played in closed positions as seen on diagrams above, but here are some suggestions for open 9th chords:Ī#9 / Bb9: X10111 9th chord voicings without the rootĪnother way to play these chords is to remove the tone on the 5th string. A 12 Bar Blues progression could look something like:Ī7 – D9 – A7 – E9 – D9 – A7 9th chord in open position ![]() If you know how to play a 12 bar blues chord progression you can mix it up by replacing the IV7 and V7 with IV9 and V9. ![]()
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